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For one thing, it technically doesn’t seem a great thing to just put hours of recordings into files online and have no idea where they originated. And for another, not only was this a popular music collection of sorts, but it was also supposed to be some sort of message to the French about racism and the discrimination of Muslims in France. This was a bit of an epiphanic moment for the earliest pioneers of the French post-war music scene, an American professor named Peter Guralnick, who was then teaching French at Columbia, and had done fieldwork in the southwest of the country as an anthropologist all around the time that Jean-Paul Sartre was there writing The Anti-Semite And The Jew. Guralnick records an extended period of his time in (what we today would call) France, then he came back to the States with a bunch of these recordings and some notes and articles. He meant this to be a sort of cultural document of this particular subculture, with all the danger that that can entail in a listener looking for things they hadn’t thought of. d2c66b5586